‘Ventana’ By Marcos Guzman

Presented by Funaki

DETAILS

Free, no booking required

Funaki
33/27 Flinders Lane, Melbourne VIC, Australia

DATES

Thu 15 May 12 – 5pm

Fri 16 May 12 – 5pm

Sat 17 May 12 – 5pm

Wed 21 May 12 – 5pm

Thu 22 May 12 – 5pm

Fri 23 May 12 – 5pm

Sat 24 May 12 – 5pm

‘Ventana’, the Spanish word for window, presents new jewellery and textile works by Marcos Guzman. Guzman’s hints at a story, a few seconds of still frames from a bigger picture, like a framed view to a larger world. His forms, colours and materials – subtly detailed and boldly graphic – generate visual cues that amplify our sense of something happening beyond the frame. Part visual artist, part poet, Guzman’s works are particular combinations of word and material that can both transport us and focus our attention.

Best known for his jewellery, Guzman’s often minimalist and abstract compositions of acrylic shapes are here reworked into soft paintings, textile works that become a canvas for compositional and spatial interpretations. Drawing on the inheritance of artists such as Anni and Josef Albers, these textile works take the relationships of colour and shape as their starting points, but are replete with suggested narratives and references, further hinted at through the poetic titles that accompany the work.

Quiet, trivial circumstances, moments of well-being, a small dilemma or plight, suggest minor narratives that can go unremarked and forgotten: Guzman is drawn to the challenge of finding a expression for these fleeting things.

Participants

Marcos Guzman
Marcos Guzman is a contemporary jeweller based on the lands of the Kulin Nation. He completed a Bachelor of Fine Art specialising in Gold and Silversmithing at RMIT in 2010, and subsequently completed the Honours Gold and Silversmithing course through RMIT’s Object Based Practice program in 2013. Marcos Guzman transforms industrial materials through hand-making techniques and slow processes, revealing unexpected preciousness in everyday materials. His introspective and contemplative practice uses jewellery-making as a means for remembering, exploring and escaping, and is often catalysed by stories, dialogues and conversations. His work is held in the permanent collection of the Art Gallery of Western Australia and various private collections.