Can’t see this? You’re dead or not here. Ben Mazey
Presented by C. Gallery
DETAILS
Free, booking required
C. Gallery
50 Davis Avenue, South Yarra VIC, Australia
DATES
Thu 14 May 10am – 5pm
Thu 14 May 5.30 – 8pm
Exhibition opening, email [email protected] to book
Fri 15 May 10am – 5pm
Sat 16 May 11am – 4pm
Mon 18 May 10am – 5pm
Tue 19 May 10am – 5pm
Wed 20 May 10am – 5pm
Thu 21 May 10am – 5pm
Open day, no booking necessary
Thu 21 May 3 – 4pm
Q&A Session, email [email protected] to bookLimited availability
Fri 22 May 10am – 5pm
Sat 23 May 11am – 4pm
C. Gallery presents: Ben Mazey – IF YOU CAN’T SEE THIS YOU MIGHT BE DEAD OR JUST NOT HERE
C. Gallery presents a solo exhibition by Ben Mazey – a multi-room installation spanning the front three spaces. Mazey’s work sits at the intersection of art, design and materiality. This exhibition brings together new pieces that challenge how we see – and what we choose to look at.
Events across Melbourne Design Week:
Exhibition Opening Thursday 14 May, 5.30- 8pm
Join us for a drink to celebrate the opening of Ben Mazey’s exhibition. RSVP required.
Opening Hours: The exhibition will be on display 14 May – 16 July 2026, 10am – 5pm on Mondays to Fridays, and from 11am – 4pm on Saturdays.
CRITERIA | C. Gallery Open Day Thursday 21 May, 10am–5pm
The gallery and showroom will host an open day, explore the collection with a drink and hear the stories behind the pieces. Q&A session at 3pm with artist Ben Mazey and CRITERIA founder Rachael Fry.
Participants
Ben Mazey
Ben Mazey (b. 1980) began his sculptural practice after returning to Australia at the onset of the pandemic. With most of his belongings still overseas, he devised a self-directed artist residency in his nearly empty Melbourne apartment, beginning with an ‘at-home clay kit’. Since, Mazey has often followed simple mathematical rules, like starting with a 20x50cm clay rectangle, which he then contorts to a varying yet repetitive degree. Though he interchanges mediums, he typically uses slab-built ceramic with occasional experiments with lost wax casting bronze. He’s prone to duality (some pieces half gold, half raw, for instance), a lo-fi palette and layering glaze like a mask. Mostly, though, he subverts the domestic with sculptures of familiar household objects. He has them take on a mimetic quality, like out of a cartoon world—a joyful yet nihilistic fantasy. With this DIY, grungy sensibility, Mazey draws from his inner and outer worlds, imbuing references collected from his New Zealand childhood and time abroad (he worked in fashion and design in the UK, France, and China, with seven years as Design Director at Kenzo, Paris). He also pulls from an affinity with Warhol’s pop art repetitions, Gordon Matta-Clark’s architectural interventions, Art Nouveau’s superfluous decoration, and the impermanence of Land Art. Too, as a Queer artist, he gives his pieces a playful—often camp—exaggeration in homage of his younger self, who felt pressured to mask his flamboyant side. With this assemblage of resonant emotional and aesthetic cues, Mazey seeks a release of cathartic nostalgia throughout his materials, process and final pieces. Mazey has had solos at C.Gallery, Melbourne Design Fair, and Melbourne Art Fair, and group shows with Sydney Contemporary, Jam Factory, and Michael Reid Gallery, among others. He has engaged in various commissions and workshops, and placed as a Woollahra Gallery Small Sculpture Prize finalist in both 2023 and 2024. In March 2026, he took up residency at Bronze Foundry ‘Fonderia Battaglia’ in the same month, he was awarded Vogue Living Collectable Designer of the year.